A collaboration with the Finnish Circo Aereo director Maksim Komaro, Gandini Juggling's Motet is about as good as anything you're going to see in UK circus – a work that combines brilliant stagecraft (there's a particularly perplexing illusion right at the start), lucid and startling imagery, and a deep non-linear intelligence. If it's about anything, then it's about the baroque – courtly modes and formalist art and high innocence – but on the surface it's a slippery phantasmagoria of dream-like scenes and actions. Don't miss the opportunity to see it here; it doesn't have many outings in this country.