A short metal bar hung from the ceiling by ropes at either end. Differing from its cousins flying and swinging, static trapeze is when the aerialist effects little or no swing in the trapeze itself, moving instead around/under/over the bar and in/on/up the ropes. Static trapezes can be single or double point – so with the ropes running parallel or converging in a V toward the point of rigging. A sub-genre of static trapeze is dance trapeze, which is a little resistant to definition but ordinarily describes performance with a substantive amount of floor choreography that uses a single-point trapeze. Usually this is on a swivel, and the aerialist is bare-chested or in garters.
Where flying and swinging trapeze performance is underpinned by the big tricks and the rhythm and build-up of the swing, static trapeze, like corde lisse and silks, invites a more fluid and inventive choreography. Some of the vocabulary transfers – in the sense that you can do corde lisse movements in the trapeze ropes if you really want to – but what trapeze particularly offers are pivot-points: opportunities for fixed vertical rotation and movement around rather than across or up.
a.k.a.: Trapeze Fixe
Mental illness is vivid and also soulful. The soundtrack of mental illness is turntable scratching or bass-heavy dance music. Obsessive compulsive disorder manifests principally in outbreaks of pop n lock. Jumping off a building (onto a crashmat, with back layouts) may be the best cure for schizophrenia.
A double review of two Airealism shows at the Gilded Balloon: one an apocalyptic cabaret, the other a combination of aerial performance and noir mystery.
If you’re going I recommend tanking up beforehand. Not entirely facetiously; when you first walk in and the performers greet you and talk to you like they’ve known you forever a little alcohol will probably smooth over the dialogue.