Cirko Festival
Agit-Cirk, Towards You | Photo: Joonas Martikainen

Helsinki's annual festival of contemporary circus and magic (possibly new magic), Cirko draws principally from Scandinavia's own strong circus scene but pulls in high-profile international work as well (recently, Compagnie Non Nova's strange and incomparable P.P.P.). Organised by Cirko – Uuden Sirkuksen Keskus (Centre for New Circus), the festival also embeds lectures and networking events; so in 2010, the year Sideshow was there, Cirko hosted the second leg of Circostrada's Arts Writers & Circus Arts programme, as well as providing platforms for producers to present to venue directors and programmers.

It's a professionally welcoming and extremely well-organised and tightly run festival, though perhaps for those not there as industry there's less of a sense of the festival behind the work it presents. It might be a character of Finnish theatre generally, but there's a peculiar abandonment at the end of each production – in twenty minutes, the audience has dispersed; in thirty, they're locking the venue. Cirko have recently moved into a new space though, an old gas factory that has been converted into a centre with performance spaces plus upstairs library and offices – and the 2011 festival will launch the new venue.

  • Magazine

    By John Ellingsworth on 11 May 2011 in Reviews

    I was told beforehand that Kimmo Pohjonen once mooned the Queen, or some Royal, at a Proms performance in London. I don't know for sure, but I can credit it. With a low mowhawk, bare arms and a sweeping dress he's salty, earthy, tanned, strong; onstage he has a clear, unwavering confidence in whatever he happens to be doing, which could feasibly include mooning the Queen.

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    By John Ellingsworth on 10 May 2011 in Reviews

    At the start of Motet there are juggling balls of all sizes and colours lying on the stage, and it's very dark. Sakari Männistö, wearing voluminous, brocaded trousers, treads daintily among them, moving from one edge to another, staring out and not in, waiting for something perhaps.

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    By John Ellingsworth on 17 May 2010 in Reviews

    There's a disorienting scene in Mue where a woman with a mask on the back of her head—a mask with shoulder-length hair that obscures her ordinary face—climbs a rope, straddles and inverts and turns.

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    By John Ellingsworth on 15 May 2010 in Reviews

    By the end the stage floor is torn up, the Chinese pole has been felled, feathers and tyres are everywhere. The set is a wreck, but then it always was...

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  • Festival Info

    09/05/2012 - 13/05/2012

    Helsinki Finland
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